Sales catalogue 924: James Tregaskis & Son

Date:
July 1926
Reference:
WA/HMM/CM/Sal/51/1
Catalogue details

Licence: Public Domain Mark

Credit: Sales catalogue 924: James Tregaskis & Son. Source: Wellcome Collection.

    67/72 (page 65)
    PARIS. [: - ; GRESWELL (WILLIAM PARR)—continued. cipally to shew its general character ; and its particular influence upon the Early English Press. 8vo, many fine woodcuts of. printers’ ss Containing over 700 items, with bibliographical and literary notes, and an alphabetical index. ay 162. GRESWELL (William Parr) ANNALS OF PARISIAN TYPOGRAPHY, containing an account of the Earliest Typographical Establishments of Paris; and notices and illustrations of the most remarkable productions of the Parisian Gothic Press; compiled prin- cipally to shew its general character ; and its particular influence upon the Early English Press. 8vo, many fine woodcuts. of. printers’ +* Containing over 700 items, with bibliographical and literary notes, and an alphabetical index. 163. MACFARLANE (John) .ANTOINE VERARD. ato, frontispiece showing. a facsimile of a woodcut from ‘‘ Politiques d’Aristote,’” 1489, many facsimiles of illustrations and type, original brown printed wrappers, uncut, unopened. £2 0 0 Bibliographical Society: Illustrated Monograph 1899-1909 _*» The standard bibliography, containing descriptions of 256 books. 164. MACFARLANE. (John) ANTOINE VERARD. _4to, eighty facsimiles of cuts, types, etc., brown morocco roxburghe. £2 15 0 Bibliographical Society: Illustrated Monograph 1900 TORNO ALL’ ARTE TIPOGRAFICA e suoi progressi in Piemonte dall’ invenzigne della Stampa fino al 1835. Sm. gto, red roan rox- burghe. £1 10 0 Milano 1876 ++ XX1 pp., 138 pp., 1 blank leaf. Contains notes of Piedmontese printers from the 15th to the 19th centuries. . TYPOGRAPHIAEK ROMANAE XV Saeculi. Sm. 4to, 16 ll., 308 pp., plate on title, old boards. £1 8 0 For Venantius Monaldinus: Rome 1778 «« Biographie Universelle, Vol. 23, p. 205: ‘‘ Cet ouvrage est divisé en deux parties; la premiére cinq chapitres dans les quels l’auteur traite suc- cessivement de l’origine de l’imprimerie, de ses commencements en Italie, et particuliérement A Venise, &4 Bologne et 4 Milan; de l’atelier typographique établi dans le monastére de Sublac, de sa translation 4 Rome, et enfin des imprimeurs qui ont exercé leur art dans cette ville au xve. siecle: la seconde partie renferme le catalogue des éditions sorties de leurs presses, avec des notes critiques et littéraires.’’