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Digital Images
Online
Bilvamangala's Balagopalastuti; folio 43 recto
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 14V
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 24 recto
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 1 verso - 2 recto
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 10 verso - 11 recto
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 60 verso - 61 recto
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 11 verso - 12 recto
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 12 verso - 13 recto
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 57R
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 54 verso
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 7R
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 15 verso - 16 recto
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 2 verso - 3 recto
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 9 verso
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 20V
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 38 recto
Krsnalilasukamuni
Digital Images
Online
Visnu
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 24 verso - 25 recto
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti; folio 8 verso
Krsnalilasukamuni
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 5V
Krsnalilasukamuni
Digital Images
Online
Visnu. Panjabi Manuscript 255
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 27V
Krsnalilasukamuni
Digital Images
Online
The mahatmya of the second adhyaya. The bottom third of the painting depicts the frame story of Devasusara of Purana. The top two-thirds illustrate the embedded story of Gadia the goatherd: one of his goats chases away a lion, the ascetic Bala explains the meaning of the events, and Gadia and his animals ascend to Visnu's celestial dwelling Vaikuntha in their divine bodies
Digital Images
Online
Bilvamangala's Balagopalastuti: folio 30 verso - 31 recto
Krsnalilasukamuni
Digital Images
Online
Krsna enchants the natural and human worlds with his flute. Standing in the tribhangi or 'three bends' posture, Krsna plays the flute as enchanted gopis, cattle, and birds look on. A clump of trees act as a sheltering umbrella, the symbol of gods and kings in Indic iconography.