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Alexander the Great being mocked by the apprentices in the studio of Apelles. Etching by Salvator Rosa.
Rosa, Salvatore, 1615-1673.Date: 1600-1699Reference: 38761i
Pictures
Online
The good Samaritan pouring oils on a wounded half-dead man. Line engraving by P. Casteels after S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 17912i
Pictures
The genius of Salvator Rosa. Etching by Salvator Rosa.
Rosa, Salvatore, 1615-1673.Reference: 38759i
Pictures
The fall of the giants. Etching by S. Rosa, 1663.
Rosa, Salvatore, 1615-1673.Date: 1663Reference: 38769i
Pictures
A great fallen tree on a river bank: a reclining man talks to a standing woman. Etching by L.A. Greville, 1762, after S. Rosa.
Rosa, Salvatore, 1615-1673.Date: 1762Reference: 2133565i
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Belisarius begging for alms. Engraving by J. Neagle, 1808, after Salvator Rosa and after R. Cook.
Date: Feby.3. 1808Reference: 32199i
Pictures
A bravo, standing with a sword and a stick. Etching by W.W. Ryland, 1763, after S. Rosa.
Rosa, Salvatore, 1615-1673.Date: [1763?]Reference: 2475456i
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Online
A man in ancient costume is sitting asleep in a wilderness near a Roman river god who points into the distance; representing the dream of Aeneas. Etching by S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 38751i
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The martyrdom of Saint William of Malevale. Etching by S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 38756i
Pictures
Online
Saul consults Samuel after the witch of Endor has conjured him from the dead; demons crowd the background. Engraving by J. Taylor after S. Rosa, 1813.
Rosa, Salvatore, 1615-1673.Date: 1813Reference: 40541i
Pictures
The infant Oedipus is tied to a tree by the shepherd to whom he was entrusted by his parents. Etching by S. Rosa.
Rosa, Salvatore, 1615-1673.Date: 1600-1699Reference: 38768i
Pictures
Online
Roman augurs interpreting the flight of birds. Etching by J. Goupy, 1724, after S. Rosa.
Rosa, Salvatore, 1615-1673.Date: 1724Reference: 37816i
Pictures
A woman walking towards the left and covering her face with her robe. Etching after S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 3153816i
Pictures
Online
Democritus sits in meditation surrounded by ruins and skulls. Etching by S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 38762i
Pictures
Online
Saint John the Baptist. Aquatint after Salvator Rosa.
Rosa, Salvatore, 1615-1673.Reference: 6243i
Pictures
Online
The temptation of Saint Antony Abbot. Engraving by C. Lambertini after A. Villa after S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 3225i
Pictures
Two soldiers in conversation. Aquatint by B. Green after S. Rosa.
Rosa, Salvatore, 1615-1673.Date: Sep. 3d 1788Reference: 2475311i
Pictures
Diogenes, being offered whatever he wants by Alexander the Great, asks Alexander to step aside so that he can see the sun: Alexander realizes that the person who desires little is happier than the person who demands much. Etching by S. Rosa.
Rosa, Salvatore, 1615-1673.Date: [between 1600 and 1699]Reference: 38758i
Pictures
Online
Diogenes casting away his bowl as he sees a young man drinking out of his hands. Etching by S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 38757i
Pictures
Online
A harbour in the evening with men working in the foreground, while others are contemplating the sunset or swimming. Etching by S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 38763i
Pictures
Online
Democritus. Etching by S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 2453i
Pictures
Apollo grants the Cumaean Sibyl her wish for a long life. Etching by John Browne after G. Robertson after Salvator Rosa.
Rosa, Salvatore, 1615-1673.Date: Nov.r, 1st. 1781Reference: 38771i
Pictures
Marcus Atilius Regulus placed in a barrel lined with iron spikes; Carthaginian soldiers hammer more spikes into the barrel and prepare to close the lid. Etching by S. Rosa.
Rosa, Salvatore, 1615-1673.Date: 1600-1699Reference: 38764i
Pictures
A shepherd supporting himself with a staff points down to something on the ground. Etching after S. Rosa.
Rosa, Salvatore, 1615-1673.Reference: 3153815i
Pictures
Online
The origin of the fig: Ceres gives the first fig to Phytalus in thanks for his hospitality. Etching by S. Rosa.
Rosa, Salvatore, 1615-1673.Date: 1600-1699Reference: 38752i

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Alexander the Great being mocked by the apprentices in the studio of Apelles. Etching by Salvator Rosa.

The good Samaritan pouring oils on a wounded half-dead man. Line engraving by P. Casteels after S. Rosa.

The genius of Salvator Rosa. Etching by Salvator Rosa.

The fall of the giants. Etching by S. Rosa, 1663.

A great fallen tree on a river bank: a reclining man talks to a standing woman. Etching by L.A. Greville, 1762, after S. Rosa.

Belisarius begging for alms. Engraving by J. Neagle, 1808, after Salvator Rosa and after R. Cook.

A bravo, standing with a sword and a stick. Etching by W.W. Ryland, 1763, after S. Rosa.

A man in ancient costume is sitting asleep in a wilderness near a Roman river god who points into the distance; representing the dream of Aeneas. Etching by S. Rosa.

The martyrdom of Saint William of Malevale. Etching by S. Rosa.

Saul consults Samuel after the witch of Endor has conjured him from the dead; demons crowd the background. Engraving by J. Taylor after S. Rosa, 1813.

The infant Oedipus is tied to a tree by the shepherd to whom he was entrusted by his parents. Etching by S. Rosa.

Roman augurs interpreting the flight of birds. Etching by J. Goupy, 1724, after S. Rosa.

A woman walking towards the left and covering her face with her robe. Etching after S. Rosa.

Democritus sits in meditation surrounded by ruins and skulls. Etching by S. Rosa.

Saint John the Baptist. Aquatint after Salvator Rosa.

The temptation of Saint Antony Abbot. Engraving by C. Lambertini after A. Villa after S. Rosa.

Two soldiers in conversation. Aquatint by B. Green after S. Rosa.

Diogenes, being offered whatever he wants by Alexander the Great, asks Alexander to step aside so that he can see the sun: Alexander realizes that the person who desires little is happier than the person who demands much. Etching by S. Rosa.

Diogenes casting away his bowl as he sees a young man drinking out of his hands. Etching by S. Rosa.

A harbour in the evening with men working in the foreground, while others are contemplating the sunset or swimming. Etching by S. Rosa.

Democritus. Etching by S. Rosa.

Apollo grants the Cumaean Sibyl her wish for a long life. Etching by John Browne after G. Robertson after Salvator Rosa.

Marcus Atilius Regulus placed in a barrel lined with iron spikes; Carthaginian soldiers hammer more spikes into the barrel and prepare to close the lid. Etching by S. Rosa.

A shepherd supporting himself with a staff points down to something on the ground. Etching after S. Rosa.

The origin of the fig: Ceres gives the first fig to Phytalus in thanks for his hospitality. Etching by S. Rosa.