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Rome: a capriccio of ancient buildings, including the Pantheon, the statue of Marcus Aurelius on the Campidoglio, and Trajan's column. Etching by J.S. Muller, 1744, after G.P. Panini.
Panini, Gian Paolo, 1691 or 1692-1765.Date: Aug.t 10th 1744Reference: 2897471i
Pictures
An old man, and a boy with a bird. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.
Guercino, 1591-1666.Date: 1736Reference: 3015402i
Pictures
Online
Mark Akenside. Line engraving by J. H. Robinson, 1835, after A. Pond.
Pond, Arthur, 1701-1758.Date: 1835Reference: 443i
Pictures
Rome: left, the Arch of Constantine; right, the temple of Saturn; people standing, sitting, reclining and horse-riding among the ruins. Etching and woodcut by C. Knapton, ca. 1736, after G.P. Panini.
Panini, Gian Paolo, 1691 or 1692-1765.Date: 1736Reference: 3010917i
Pictures
A cavalry charge. Etching and colour woodcut by A. Pond, 1735, after J. Courtois.
Courtois, Jacques, 1621-1675.Date: 1735Reference: 3010914i
Pictures
A man holding a shoe in each hand. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.
Guercino, 1591-1666.Date: 1730-1739Reference: 2498578i
Pictures
A man wearing a ribboned wig, sitting on a chair, pointing his finger. Etching by Arthur Pond after P.L. Ghezzi.
Ghezzi, Pier Leone, 1674-1755.Date: [between 1700 and 1799]Reference: 32869i
Pictures
Sebastiano Resta. Etching by Arthur Pond, 1738, after P.L. Ghezzi.
Ghezzi, Pier Leone, 1674-1755.Reference: 32871i
Pictures
Online
Saint Mary Magdalen. Etching by A. Pond, 1734, after Annibale Carracci.
Carracci, Annibale, 1560-1609.Date: 1734Reference: 6676i
Pictures
Rome: a capriccio of ancient buildings in their unruined state, including two temples, an obelisk, and the mausoleum of Hadrian; with sculptures and a fountain. Etching by J.S. Müller, 1746, after G.P. Panini.
Panini, Gian Paolo, 1691 or 1692-1765.Date: April 12th 1746Reference: 2921418i
Pictures
A man and his wife looking at each other, with their son; in the background, a bearded man and a woman looking away from each other. Etching and woodcut by A. Pond, 1734, after G.F. Mazzola, il Parmigianino.
Parmigianino, 1503-1540.Date: 1734Reference: 2496890i
Pictures
Mark Akenside. Mezzotint by E. Fisher, 1772, after A. Pond, 1754.
Pond, Arthur, 1701-1758.Date: 1772Reference: 432i
Pictures
Online
Two philosophers engaged in conversation. Etching by A. Pond, c. 1740, after A. Carracci.
Carracci, Annibale, 1560-1609.Reference: 17891i
Pictures
Online
Richard Mead. Etching by A. Pond, 1739.
Pond, Arthur, 1701-1758.Date: 1739Reference: 6446i
Pictures
A hermit reading in a rocky landscape. Etching by J. Wood, 1744, after S. Rosa.
Rosa, Salvatore, 1615-1673.Date: Feb.y 1744Reference: 2267489i
Pictures
Online
Mark Akenside. Stipple engraving by R. Woodman, 1837, after A. Pond.
Pond, Arthur, 1701-1758.Date: 1837Reference: 447i
Pictures
Online
Mark Akenside. Line engraving by R. Rhodes after a drawing by G. Clint after A. Pond.
Clint, George, 1770-1854.Reference: 441i
Pictures
Three trees on a steep bank above a river or lake: two men seated, one with a tame bird (falcon?). Etching by C. Knapton, 1736, after G.F.Barbieri, il Guercino.
Guercino, 1591-1666.Date: 1736Reference: 2125430i
Pictures
Rome: a capriccio of ancient buildings, including the remains of three temples and the basilica of Maxentius; the Borghese vase; and a horse drinking from a fountain. Etching by J.S. Müller, 1745, after G.P. Panini.
Panini, Gian Paolo, 1691 or 1692-1765.Date: [...]th 1745Reference: 2921417i
Pictures
Online
A fat man wearing a coat and hat standing with his hand in his pocket; described as "un pizzicaruolo". Etching by A. Pond, 1741, after P.L. Ghezzi.
Ghezzi, Pier Leone, 1674-1755.Date: [1741?]Reference: 32870i
Pictures
A river: two men on the near bank, a boat and a fisherman in the river, and ancient buildings on the far bank. Etching by C. Knapton, 1736, after G.F. Grimaldi.
Grimaldi, Giovanni Francesco, 1606-1680.Date: 1736Reference: 2125305i
Pictures
Online
A man with large spectacles is sitting on a seat peering at a man who is approaching him. Etching by Arthur Pond after Annibale Carracci.
Carracci, Annibale, 1560-1609.Reference: 32874i
Pictures
An eagle. Etching by A. Pond, 1736, after G.F. Barbieri, il Guercino.
Guercino, 1591-1666.Date: 1736Reference: 3015416i
Pictures
Rome: five people relax on a block of stone, and one of them points up to an ancient Roman statue. Etching by C. Knapton, 1736, after G.P. Panini.
Panini, Gian Paolo, 1691 or 1692-1765.Date: 1736Reference: 2474142i
Pictures
Nuns kneeling in prayer; in the foreground, a man kneeling on the ground. Etching by A. Pond, ca. 1736, after Agostino Carracci.
Carracci, Agostino, 1557-1602.Date: 1736Reference: 3015537i

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Rome: a capriccio of ancient buildings, including the Pantheon, the statue of Marcus Aurelius on the Campidoglio, and Trajan's column. Etching by J.S. Muller, 1744, after G.P. Panini.

An old man, and a boy with a bird. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.

Mark Akenside. Line engraving by J. H. Robinson, 1835, after A. Pond.

Rome: left, the Arch of Constantine; right, the temple of Saturn; people standing, sitting, reclining and horse-riding among the ruins. Etching and woodcut by C. Knapton, ca. 1736, after G.P. Panini.

A cavalry charge. Etching and colour woodcut by A. Pond, 1735, after J. Courtois.

A man holding a shoe in each hand. Etching by A. Pond, ca. 1736, after G.F. Barbieri, il Guercino.

A man wearing a ribboned wig, sitting on a chair, pointing his finger. Etching by Arthur Pond after P.L. Ghezzi.

Sebastiano Resta. Etching by Arthur Pond, 1738, after P.L. Ghezzi.

Saint Mary Magdalen. Etching by A. Pond, 1734, after Annibale Carracci.

Rome: a capriccio of ancient buildings in their unruined state, including two temples, an obelisk, and the mausoleum of Hadrian; with sculptures and a fountain. Etching by J.S. Müller, 1746, after G.P. Panini.

A man and his wife looking at each other, with their son; in the background, a bearded man and a woman looking away from each other. Etching and woodcut by A. Pond, 1734, after G.F. Mazzola, il Parmigianino.

Mark Akenside. Mezzotint by E. Fisher, 1772, after A. Pond, 1754.

Two philosophers engaged in conversation. Etching by A. Pond, c. 1740, after A. Carracci.

Richard Mead. Etching by A. Pond, 1739.

A hermit reading in a rocky landscape. Etching by J. Wood, 1744, after S. Rosa.

Mark Akenside. Stipple engraving by R. Woodman, 1837, after A. Pond.

Mark Akenside. Line engraving by R. Rhodes after a drawing by G. Clint after A. Pond.

Three trees on a steep bank above a river or lake: two men seated, one with a tame bird (falcon?). Etching by C. Knapton, 1736, after G.F.Barbieri, il Guercino.

Rome: a capriccio of ancient buildings, including the remains of three temples and the basilica of Maxentius; the Borghese vase; and a horse drinking from a fountain. Etching by J.S. Müller, 1745, after G.P. Panini.

A fat man wearing a coat and hat standing with his hand in his pocket; described as "un pizzicaruolo". Etching by A. Pond, 1741, after P.L. Ghezzi.

A river: two men on the near bank, a boat and a fisherman in the river, and ancient buildings on the far bank. Etching by C. Knapton, 1736, after G.F. Grimaldi.

A man with large spectacles is sitting on a seat peering at a man who is approaching him. Etching by Arthur Pond after Annibale Carracci.

An eagle. Etching by A. Pond, 1736, after G.F. Barbieri, il Guercino.

Rome: five people relax on a block of stone, and one of them points up to an ancient Roman statue. Etching by C. Knapton, 1736, after G.P. Panini.

Nuns kneeling in prayer; in the foreground, a man kneeling on the ground. Etching by A. Pond, ca. 1736, after Agostino Carracci.