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Hogarth, William, 1697-1764 Reset filters

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Pictures
Online
The London Hospital, Whitechapel: the pool of Bethesda, used as a ticket. Engraving after W. Hogarth.
Hogarth, William, 1697-1764.Reference: 39501i
Pictures
Online
A milk maid holding a milk pail on her head. Engraving by J. Moore after W. Hogarth.
Hogarth, William, 1697-1764.Date: 1800-1899Reference: 30143i
Pictures
Online
In a lunatic asylum, and in the company of a variety of other deranged individuals, a half-naked Ramble Gripe, his wrists chained, is restrained by orderlies. Engraving by T. Bowles, 1735.
Bowles, Thomas, II, active 1712-1767.Date: [1735]Reference: 38347i
Part of: The progress of a rake exemplified in the adventures of Ramble Gripe Esqr son of Sr Positive Gripe
Pictures
Foundling Hospital: above, the achievement of arms, below, Captain Coram and several children, carrying implements of work, a church and ships in the distance. Engraving by T. Cook, 1809, after W. Hogarth, 1739.
Hogarth, William, 1697-1764.Date: 1 July 1809Reference: 37640i
Pictures
Online
A scene of destruction with an overturned coach, screaming people and a bonfire; representing night. Engraving by T. Cook after W. Hogarth.
Hogarth, William, 1697-1764.Date: February the 1st 1798Reference: 39256i
Pictures
The good Samaritan tending to a wounded man while a priest and a Levite walk by. Engraving by F.S. Ravenet and J.M. Delattre, 1772, after W. Hogarth.
Hogarth, William, 1697-1764.Date: Feb.y 24th 1772Reference: 9969i
Pictures
Online
Sarah Mapp. Coloured etching by G. Cruikshank, 1819, after W. Hogarth.
Hogarth, William, 1697-1764.Date: 1819Reference: 6168i
Pictures
Online
Men are gathered around in a circle watching two cocks fight one another. Wood engraving after W. Hogarth.
Hogarth, William, 1697-1764.Reference: 34384i
Books
The complete works of William Hogarth : in a series of one hundred and fifty steel engravings from the original pictures / with an introductory essay by James Hannay, and descriptive letterpress, by the Rev J. Trusler, and E. F. Roberts.
Hogarth, William, 1697-1764.Date: [1861?]
Pictures
Online
Men playing draughts in Button's Coffee-House, London, ca. 1720. Aquatint by S. Ireland after W. Hogarth.
Hogarth, William, 1697-1764.Reference: 544376i
Pictures
Online
An election banquet. Engraving by W. Hogarth, 1755.
Hogarth, William, 1697-1764.Date: 24 February 1755Reference: 38385i
Part of: An election
Pictures
Online
Sarah Mapp. Wood engraving after W. Hogarth.
Hogarth, William, 1697-1764.Reference: 6169i
Pictures
Online
James Figg the pugilist on stage holding his sword. Etching..
Reference: 39244i
Pictures
Online
An insane man (Tom Rakewell) sits on the floor manically grasping at his head, his lover (Sarah Young) cries at the spectacle while two attendants attach chains to his legs; they are surrounded by other lunatics at Bethlem hospital, London. Engraving by W. Hogarth after himself, 1735.
Hogarth, William, 1697-1764.Date: 25 June 1735Reference: 20042i
Pictures
Southwark Fair, a renowned place of amusement, with a variety of theatrical establishments. Engraving by T. Cook after W. Hogarth.
Hogarth, William, 1697-1764.Date: April 1st. 1796Reference: 39147i
Pictures
Online
A man in a cap. Etching after Hogarth.
Hogarth, William, 1697-1764.Reference: 39210i
Pictures
Online
A busy street corner with traders stopping for a tankard of beer and an artist painting a pub sign. Engraving, c. 1751, after W. Hogarth.
Hogarth, William, 1697-1764.Date: 1 February 1751Reference: 26456i
Books
Online
Physiognomy; being a sketch only of a larger work upon the same plan; wherein the different tempers, passions, and manners of men, will be particularly considered / By the editor of the History and antiquities of Wheatfield in Suffolk [i.e. J. Clubbe].
Clubbe, John, 1703?-1773.Date: 1763
Pictures
Online
Men playing draughts in Button's coffee-house ca. 1720 Aquatint by S. Ireland after W. Hogarth.
Hogarth, William, 1697-1764.Reference: 544375i
Pictures
Online
A drunken party with men smoking, sleeping and falling to the floor. Engraving by T. Cook, c. 1798, after W. Hogarth.
Hogarth, William, 1697-1764.Date: 1 April 1798Reference: 26454i
Pictures
Online
A woman helps to adjust a dress worn by the curate as the barber examines his reflection in a mirror with a beard, in a room furnished with a set of antlers over the door. Engraving by William Hogarth.
Hogarth, William, 1697-1764.Reference: 38206i
Pictures
Online
Time is blowing pipe-smoke onto a painting while his scythe has sunk into the canvas; representing the ageing of paintings as they acquire Old Master status. Engraving by T. Cook after W. Hogarth.
Hogarth, William, 1697-1764.Date: Decr. 1 1802Reference: 39265i
Pictures
Online
Thomas Coram. Line engraving by N. Parr, 1749, after W. Hogarth.
Hogarth, William, 1697-1764.Date: 1749Reference: 2109i
Pictures
Online
Dressed in fine clothes Moll Hackabout beats hemp with a mallet, which will be used to make rope; she is in prison with other inmates who are mostly prostitutes. Engraving after William Hogarth.
Hogarth, William, 1697-1764.Reference: 38335i
Part of: Harlot's progress
Pictures
Online
Moll Hackabout dangles a watch and a poxed maid ("bunter") empties the contents of a jug, while Sir John Gonson, a magistrate, and a group of bailiffs enter the room to arrest her. Engraving after William Hogarth, 1732.
Hogarth, William, 1697-1764.Date: [1732?]Reference: 38334i
Part of: Harlot's progress