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Seurat, Claude-Ambroise, 1798-1841Reset filters
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  • Extraordinary natural curiosity : a living skeleton.
  • Anatomie vivante, or, the Living Skeleton.
  • Claude Ambroise Seurat, a very thin man. Colour etching.
  • Claude-Ambroise Seurat, Daniel Lambert, Jeffery Hudson and an unidentified giant, surrounded by eight vignettes of other characters. Stipple engraving.
  • Extraordinary novelty! Another living skeleton!! : and the last night of Cannon & Crawley ... : Monday, August 15th, 1825 ... / Royal Coburg Theatre.
  • The living skeleton : drawn from nature / by Robert Crukshank.
  • Phrenological propensities: philoprogenitiveness, amativeness, self-love, individuality, number; illustrated by a huge and happy family, an apothecary making advances on his maidservant, a dandy admiring his reflection, Seurat the human skeleton, Toby the learned pig. Coloured etching by G. Cruikshank, 1826, after himself.
  • Claude Ambroise Seurat, a very thin man. Coloured etching.
  • Boniface : there have been several "living skeletons" exhibited in England from time to time. The most famous, as the first of the kind, was Claude Seurat, a Frenchman, who was shown in London during the summer of the year 1825.
  • Claude Ambroise Seurat, known as the 'Human skeleton'. Stipple engraving by R. Cruikshank, 1825.
  • Claude Ambroise Seurat, known as the 'Human skeleton'. Stipple engraving by R. Cruikshank, 1825.
  • Anatomie vivante, or, the Living Skeleton.
  • Phrenological propensities: philoprogenitiveness, amativeness, self-love, individuality, number; illustrated by a huge and happy family, an apothecary making advances on his maidservant, a dandy admiring his reflection, Seurat the human skeleton, Toby the learned pig. Coloured etching by G. Cruikshank, 1826, after himself.
  • Claude Ambroise Seurat, a very thin man. Coloured etching.
  • Extraordinary natural curiosity : a living skeleton.
  • Claude Ambroise Seurat, a very thin man who was known as the 'Human Skeleton'. Drawing.