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  • A woman (possibly intended to be African) with pouting lips in elaborate head gear. Engraving by B. Bossi, 1776 (?), after himself.
  • Grau: portrait. Drawing, c. 1794.
  • Progression of a man through the ages of fifty to a hundred. Drawing, c. 1794.
  • A man whose physiognomy expresses penetration, quickness, and a talent for communication. Drawing, c. 1789.
  • The head of a frog, in the early stages of a physiognomic metamorphosis into an ideal head of Apollo. Coloured drawing by J.C. Lavater, 179-.
  • A bearded man whose face expresses horror. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Frontispiece to Le Brun's 'Passions' (left) and a face expressing tranquillity (right). Etching by B. Picart, 1698, after C. Le Brun.
  • An eye; according to Lavater, belonging to a German poet. Drawing, c. 1794.
  • A female figure expressing admiration touched with astonishment. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Progression of a man through the ages of infancy to the age of fifty. Engraving, c. 1794.
  • Balthazar Bekker: portrait. Drawing, c. 1794.
  • Outlines and designs of foreheads, showing their wrinkles and contours. Drawing, c. 1794.
  • The death mask of William Palmer, the poisoner. Lithograph after M. Krantz, c. 1860.
  • The death mask of William Palmer, the poisoner. Lithograph after M. Krantz, c. 1860.
  • Tiberius Dominikus Wocher: portrait. Drawing, c. 1791, after T.D. Wocher.
  • Head of an angel. Drawing, c. 1791, after G. Reni.
  • Heads of a fox, a wolf and a weasel. Drawing, c. 1789.
  • John Dryden: portrait. Drawing, c. 1793.
  • Profile of a boy which, according to Lavater, exemplifies Raphael's approach to noses and chins in profile. Drawing, c. 1791, after Raphael.
  • A woman laughing. Lithograph by P. Simonau, 1822, after C. Le Brun.
  • Henri of Navarre, King of France shown in four imaginary poses. Drawing, c. 1789.
  • Head of a man with tousled hair. Drawing, c. 1794, after N. Poussin.
  • Four diagrams illustrating heads with severe wounds, demonstrating how to stitch the skin back together properly. Stipple engraving by J. Bell.
  • The head of an ostrich. Drawing, c. 1789.
  • A woman's face expressing desire (left) and a man's face expressing 'joy with tranquility' (right). Engraving, c. 1760, after C. Le Brun.
  • John Locke: frontal view of bust. Drawing, c. 1789, after D.N. Chodowiecki.
  • Head of a dog. Drawing, c. 1789.
  • An 'ideal head' shown to have slight idiosyncrasies in physiognomy. Drawing, c. 1789, after Raphael.
  • The muscles of the face and of the eye. Colour mezzotint by A. E. Gautier d'Agoty after himself, 1773.
  • A married couple who have begun physically to resemble each other. Drawing, c. 1794.