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  • Woman looking at a caged parrot. Chromolithograph.
  • A noblewoman has opened the desk of her lover and found the portrait miniature of another woman in a box together with a letter: her expression shows wounded pride. Engraving by H. Cook, 1845, after W. Perring.
  • A woman's face expressing sadness. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Damayanti deserted in the forest: part of the story of Damayanti and Nala. Chromolithograph by R. Varma.
  • An écorché face showing the state of the facial muscles during relaxation. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • Legs in various attitudes. Engraving after C. Le Brun.
  • Five ears surrounded by hair. Engraving after C. Le Brun.
  • A woman leaning wistfully on a large cushion. Chromolithograph, 1867.
  • Heads of a horse shoe bat and a common bat. Drawing, c. 1789.
  • Two faces expressing scorn, one (left) in outline. Etching by B. Picart, 1713, after C. Le Brun.
  • A frightened and an angry face, left and right respectively. Engraving, c. 1760, after C. Le Brun.
  • Legs, feet and lower parts of the body. Engraving after C. Le Brun.
  • An écorché face showing the muscles involved in the expression of terror. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • Two faces, one in outline, expressing horror. Etching by B. Picart, 1713, after C. Le Brun.
  • The face of a man expressing horror. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Two outlines of faces showing astonishment and fear (left) and laughter (right). Etching by B. Picart, 1713, after C. Le Brun.
  • A child and a man look at a woman; an outline of an old man floats between them. Etching after C. Le Brun.
  • Physiologie des passions, ou, Nouvelle doctrine des sentimens moraux / par J.L. Alibert.
  • Esther swoons before Ahasuerus. Engraving by J. Audran after A. Coypel.
  • An écorché face weeping, showing the muscles involved. Stipple engraving by H. Singleton (?) after G.T. Stubbs after G. Stubbs, 1815.
  • Krishna declaring his love for Radha via a confidante. Chromolithograph by R. Varma.
  • A woman in evening dress, attended by a man; the woman representing the 'sentiment' of self esteem, a 'faculty' according to phrenology. Steel engraving by J-I-L. Desjardins, 1847, after H. Bruyères.
  • The face of a young man in a state of attention. Engraving by J. Tinney, ca. 1730/1740, after C. Le Brun.
  • A male figure expressing ecstasy. Crayon Manner Print by W. Hebert, c. 1770, after C. Le Brun.
  • Three diagrams of the organisation of the lobes of the brain for a phrenological textbook. Pen drawing, c. 1902.
  • Five faces expressing human passions: (clockwise from top left:) compassion, sadness and dejection of heart, a profile and frontal view of dejection, and sadness. Pen drawing after C. Le Brun.
  • Outlines of faces making mixed and contrary muscular movements (left) and sadness and dejection (right). Etching by B. Picart, 1713, after C. Le Brun.
  • Two female faces expressing admiration (left) and admiration with astonishment (right). Engraving, c. 1760, after C. Le Brun.
  • A boy weeping (left) and a man weeping (right). Etching by B. Picart, 1713, after C. Le Brun.
  • A bearded man expressing scorn. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.