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  • Eight physiognomies. Drawings, c. 1789.
  • The dance of death: Death appears to the people in the inn and instigates them, the proletariat, to clear the throne to make way for communism. Drawing by or after E. Ille.
  • The face of a hero immediately before death. Drawing, c. 1789, after A. Schluter.
  • Four physiognomies expressing the propensity to command. Drawing, c. 1792.
  • Muscles of the lower limbs and the trunk: two écorché figures. Pencil and ink wash drawing, after an unidentified work on anatomy, ca. 1830(?).
  • Outlines of twelve faces in profile. Drawing, c. 1789.
  • Four heads of birds: a swan, a polyphemus, a wild duck and a pelican. Drawing, c. 1789.
  • Muscles and tendons of the back: écorché figure. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Dissection showing the shoulder and chest muscles: view of the pectoral and the deltoid muscles. Watercolour and pencil drawing, by J.C. Whishaw, 1852/1854.
  • A seated man in a monk's habit, blowing bellows, with an alembic. Pencil drawing.
  • Dissection of the back of the neck. Watercolour and pencil drawing, copied by J.C. Whishaw, 1854.
  • Willow trees growing on Napoleon's grave at St. Helena. Pencil drawing, 1892.
  • St Stephen's Infant School: perspective view. Pencil drawing.
  • A face expressing ardent attention. Drawing, c. 1794.
  • Raphael: portrait. Drawing, c. 1791.
  • The Vatican Meleager. Pencil drawing.
  • Surgical stitches and the tying-up of wounds. Coloured pencil drawing.
  • Christ talking to two men who, according to Lavater, show physiognomic traits of 'sensuality'. Drawing, c. 1789, after H. Holbein.
  • Head of a stag. Drawing, c. 1789.
  • Ancient Roman women bathing in a public bath in London. Coloured drawing by F. Matania, 1922.
  • Saint Cecilia, a bishop, Saint John and Saint Paul. Drawing, c. 1794, after Raphael.
  • Interior of a dissecting room with cadavers laid out on tables. Drawing by Paul Renouard, 1906.
  • Marcellin Pierre Eugène Berthelot in his laboratory. Charcoal drawing.
  • Charles de Valois, Duke of Angoulême. Drawing, c. 1793, after J. Morin.
  • A profile of a man interpreted by Lavater to be indolent, idle, and a drunkard. Drawing, c. 1789.
  • Lodovico Pasini. Pencil drawing by C. E. Liverati, 1841.
  • I think we ought to consider an epidural.
  • Muscles and tendons of the foot and hand: two figures. Red chalk and pencil drawing by or associated with A. Durelli, ca. 1837.
  • Ornamented borders of Tartary oak (Quercus McCormickii), anchors and a polar bear round circular images of the Antarctic Ocean with penguin and boat. Pencil drawing by E. Wilson?, c.1844.
  • A Roman soldier throws a javelin over a dead body. Drawing, c. 1793.