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  • Medusa presiding over groups of satyrs who are gambling; representing gambling or gaming as a passion. Etching by J. Audran after C. Gillot.
  • An HIV positive man in a suit and tie within a shaft of light beside figures cut out of meat; with a large label across his arm bearing the warning 'Sondermüll-Mensch' (human hazardous waste); advertising an exhibition about the Upper Austrian AIDS-Hilfe. Colour lithograph by Mares Andreas.
  • Kichaka making indecent proposals to a frightened Draupadi.
  • A head divided into thirty seven compartments, each containing an image representing a phrenological faculty. Wood engraving, after O.S. Fowler, c. 1840.
  • A bearded man whose face expresses horror. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Frontispiece to Le Brun's 'Passions' (left) and a face expressing tranquillity (right). Etching by B. Picart, 1698, after C. Le Brun.
  • A female figure expressing admiration touched with astonishment. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • Sakuntalā writing a letter on a leaf in a daydream with two others. Chromolithograph by R. Varma.
  • A woman laughing. Lithograph by P. Simonau, 1822, after C. Le Brun.
  • A woman's face expressing desire (left) and a man's face expressing 'joy with tranquility' (right). Engraving, c. 1760, after C. Le Brun.
  • Eight eyes. Engraving after C. Le Brun.
  • A face expressing scorn (left) and a face expressing horror (right). Engraving, c. 1760, after C. Le Brun.
  • A male face with head bowed, expressing veneration. Engraving by M. Engelbrecht (?), 1732, after C. Le Brun.
  • Three faces: weeping (top), expressing compassion (bottom left), and scorn (bottom right). Engravings after C. Le Brun.
  • Physiologie des passions, ou, Nouvelle doctrine des sentimens moraux / par J.L. Alibert.
  • The face of a woman in ecstasy (left); a female face expressing simple love (right). Etching by B. Picart, 1713, after C. Le Brun.
  • A face expressing hatred or jealousy (left); a face with hair on end expressing despair. Engraving, c. 1760, after C. Le Brun.
  • Designs showing the lower half of the face in various physiognomies and actions. Engraving after C. Le Brun.
  • Esther faints before King Ahasuerus. Engraving, by R. Strange, 1767, after R. Strange, 1762, after G.F. Barbieri, il Guercino.
  • Esther faints before the fierceness of Ahasuerus. Engraving by J. Frey after D. Zampieri, il Domenichino, ca. 1628.
  • Dandies at the opera, one of them swooning, overcome with emotion. Etching by I.R. Cruikshank, 1835.
  • A woman with bulging eyes, expressing desire through her face. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.
  • One of two scenes from the Naya-nayika set of lovers' quarrels. Chromolithograph.
  • Eight heads showing human passions. Etching by Taylor, 1788, after C. Le Brun.
  • Frontispiece to English edition of Charles Le Brun's designs of the human passions. Crayon manner print by W. Hebert, c. 1770, after J. Audran, 1727.
  • Four faces expressing the passions: (clockwise from top left) hatred, wonder, love and jealousy; and (right) the frontispiece to the book containing the illustrations, a manual of acting. Engraving by Silvester, 1807.
  • The human brain, divided according to Bernard Hollander's system of phrenology. Process print with pen and ink, c. 1902.
  • Face of a frightened soldier (left); the human face in an animal state of fear (right). Etching by B. Picart, 1713, after C. Le Brun.
  • A face turned away, suffering acute pain. Lithograph by P. Simonau, 1822, after C. Le Brun.
  • A man weeping. Crayon manner print by W. Hebert, c. 1770, after C. Le Brun.