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  • Muscles, arteries and lymphatics of the arm and leg: eight écorché figures. Engraving by J. Barlow, 1802.
  • The vascular system, heart and female reproductive organs: six figures. Engraving by Barlow, 1802.
  • A parson is being attacked by a mob with hens. Etching by J. Barlow after S. Collings.
  • A crested porcupine. Coloured etching by Barlow after J. E. Ihle.
  • Navigation: various navigational aids, including a quadrant and a sextant. Engraving by Barlow.
  • A man whose face expresses (according to the study of physiognomy) austerity blended with wit and rhetorical powers. Engraving by Barlow, 19th century.
  • Christ raises the widow's son from the dead. Engraving by J. Barlow.
  • French sailors throwing manacled black soldiers off a ship into the a sea populated by large carnivorous animals. Engraving by J. Barlow after M. Rainsford.
  • A quack doctor assisting a voluptuous female patient with group magnetic therapy. Etching by J. Barlow, c. 1792, after J. Collings.
  • A man whose physiognomy expresses (according to Lavater) truth, precision, harmony, calmness and expression. Engraving by Barlow, 19th century, after P. de Champagne.
  • Astrology: the Hindu zodiac. Engraving by Barlow.
  • Astronomy: the twelve signs of the zodiac. Engraving by Barlow.
  • The Royal Hospital, Chelsea: viewed from the South with boats on the river. Engraving by I. Barlow after J.M.W. Turner.
  • French sailors feeding manacled black slaves in San Domingo to ravenous blood-hounds. Engraving by J. Barlow, 1805, after M. Rainsford.
  • Above, the heads of a Cretan sheep and an Iceland sheep; below, a four horned ram standing on a meadow. Coloured etching by Barlow after J. E. Ihle.
  • Richard Barry, 7th Earl of Barrymore, a notorious spendthrift and rake, holding a levee: he is attended by his horse-racing and cock-fighting associates and others. Etching by J. Barlow after S. Collings.
  • Optics: a micrometer, for range-finding [?], with diagrams of its operation. Engraving by Barlow.
  • Ten faces expressing the human passions. Engraving by Barlow after C. Le Brun.
  • A man on a horse causing havoc among a group of people wearing cassocks, carrying crosses and rosaries. Etching by J. Barlow, 1791, after S. Collings.