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Robert Boyle. Line engraving by B. Baron, 1722 after J. Kerseboom.

The holy family resting among animals in Egypt. Etching by B. Baron, 1724, after F. Solimena.

The viscount sits despondent in a chair, his wife indicates tiredness by stretching her arms, while a disapproving steward exits carrying a handful of bills. Engraving by B. Baron after W. Hogarth, 1745.

Robert Boyle. Line engraving by B. Baron, 1744 after J. Kerseboom.

The rich visiting the poor and needy bringing alms, with a quote from the Bible. Line engraving by B. Baron, 1728, after a painting attributed to Frans Francken I.

A pilgrim is given lodging by a rich man. Engraving by B. Baron after Frans Francken the elder.

Thomas Alsop. Etching after B. Baron after H. Holbein.

In the cabinet of the quack doctor, the viscount Squanderfield holds out a small pill-box as a girl dabs her face with a handkerchief. Engraving by B. Baron after W. Hogarth, 1745.

A portrait of Peter Paul Rubens, in a roundel, on a pedestal, being unveiled by Fame at the command of Minerva, as a putto carves an inscription on the pedestal. Engraving by B. Baron, 1724.

Diana (Artemis) and Actaeon. Engraving by B. Baron after L. Cheron.

The Borghese gladiator: view from behind and left. Etching by B. Baron after R. Dalton, 1746.

Jupiter (Zeus), disguised as a satyr, removes the clothing of Antiope as he prepares for intercourse with her. Engraving by B. Baron after Titian.

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Baron, Bernard, 1696-1762

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Robert Boyle. Line engraving by B. Baron, 1722 after J. Kerseboom.

Diana (Artemis) and Actaeon. Engraving by B. Baron after L. Cheron.

A pilgrim is given lodging by a rich man. Engraving by B. Baron after Frans Francken the elder.

The Borghese gladiator: view from behind and left. Etching by B. Baron after R. Dalton, 1746.

Jupiter (Zeus), disguised as a satyr, removes the clothing of Antiope as he prepares for intercourse with her. Engraving by B. Baron after Titian.